Who Translated the Rubaiyat of Omar Khayyam?

by Amy
Rubaiyat of Omar Khayyam

The Rubaiyat of Omar Khayyam is one of the most celebrated works of Persian literature, known for its philosophical depth and lyrical beauty. This collection of quatrains, attributed to the 11th-century Persian poet Omar Khayyam, has been translated into numerous languages over the years. However, the most famous and influential translation is by Edward FitzGerald. This article explores the background of the Rubaiyat, the life and work of Edward FitzGerald, and the impact of his translation on the poem’s reception and legacy.

Background of the Rubaiyat of Omar Khayyam

Origins of the Rubaiyat

The Rubaiyat is a collection of quatrains (rubaiyat in Persian), attributed to Omar Khayyam, a Persian mathematician, astronomer, and poet. Written in the 11th century, these verses explore themes of existentialism, the fleeting nature of life, and the pursuit of pleasure. Khayyam’s quatrains reflect a deep sense of contemplation and a skeptical view of the metaphysical and religious doctrines of his time.

Manuscripts and Early Translations

The Rubaiyat was not widely known in the Western world until the 19th century. Manuscripts of the Rubaiyat were primarily preserved in Persian and Arabic libraries. Early translations into European languages were limited and often incomplete, focusing on the philosophical and scientific aspects of Khayyam’s work rather than the poetic qualities.

Edward FitzGerald: The Translator

Early Life and Background

Edward FitzGerald (1809–1883) was an English writer and translator known for his pioneering translation of the Rubaiyat of Omar Khayyam. Born in Suffolk, England, FitzGerald was educated at Cambridge University, where he developed a deep interest in Persian literature and languages. His translation of the Rubaiyat is considered one of the most significant contributions to the study of Persian poetry in the Western world.

FitzGerald’s Translation of the Rubaiyat

Motivation and Process

FitzGerald first encountered the Rubaiyat in the 1850s, when he came across a French translation by the scholar Joseph-Charles Mardrus. Intrigued by the work, FitzGerald sought to create an English version that captured both the essence and beauty of Khayyam’s poetry. His translation process was meticulous, involving extensive study of Persian texts and consultation with scholars.

FitzGerald’s translation was not a direct rendering of the Persian text but rather an interpretative adaptation. He aimed to convey the spirit and philosophical depth of Khayyam’s quatrains while using a style that resonated with English readers. This approach led to a highly personal and poetic rendition of the original work.

Publication and Reception

FitzGerald’s first edition of the Rubaiyat was published in 1859, with a limited print run of 250 copies. The book received little attention initially, but subsequent editions gained popularity as readers and critics discovered its unique qualities. FitzGerald’s use of iambic tetrameter and rhymed quatrains, along with his evocative language, captivated audiences and established the Rubaiyat as a seminal work in English literature.

The reception of FitzGerald’s translation was mixed in its early years. While some praised its beauty and lyrical quality, others criticized it for its deviations from the original text. Over time, however, FitzGerald’s version became the definitive English translation of the Rubaiyat, widely regarded as capturing the essence of Khayyam’s poetry.

Subsequent Editions and Revisions

FitzGerald published several revised editions of the Rubaiyat throughout his life, incorporating changes based on feedback and further reflections. The second edition, published in 1868, expanded the number of quatrains and included additional verses not present in the first edition. The final edition, published in 1879, featured further revisions and refinements.

FitzGerald’s revisions reflected his ongoing engagement with Khayyam’s work and his desire to improve his translation. Each edition contributed to the growing popularity of the Rubaiyat in the English-speaking world, solidifying FitzGerald’s reputation as a translator and poet.

See Also: Who Wrote the Poem “A Red, Red Rose”?

Impact and Legacy of FitzGerald’s Translation

Influence on Western Literature

FitzGerald’s translation of the Rubaiyat had a profound impact on Western literature and culture. The poem’s themes of carpe diem, existential reflection, and the pursuit of pleasure resonated with readers in the 19th and early 20th centuries. The Rubaiyat became a symbol of Romanticism and influenced a range of literary works, from poetry to prose.

FitzGerald’s translation also introduced Western readers to Persian literature and culture, fostering greater interest in the rich literary traditions of the East. His work paved the way for subsequent translations and studies of Persian poetry, contributing to a broader appreciation of global literary heritage.

Cultural and Artistic Influence

The Rubaiyat’s evocative imagery and philosophical themes inspired artists, musicians, and designers across various disciplines. FitzGerald’s translation influenced the visual arts, with illustrations and designs inspired by Khayyam’s poetry appearing in books, paintings, and decorative arts. The poem’s influence extended to music, with composers incorporating its themes into their works.

The Rubaiyat also became a popular source of quotations and references in popular culture, reflecting its enduring appeal and relevance. FitzGerald’s translation played a key role in making Khayyam’s poetry accessible and meaningful to a wide audience.

Criticisms and Controversies

FitzGerald’s translation has not been without its critics. Some scholars argue that FitzGerald’s interpretative approach altered the original meaning of Khayyam’s quatrains and introduced elements that were not present in the Persian text. Critics have pointed out that FitzGerald’s version, while beautiful and evocative, represents a highly subjective interpretation rather than a literal translation.

Despite these criticisms, FitzGerald’s translation remains a significant achievement in literary history. It is celebrated for its poetic artistry and its role in bringing the Rubaiyat to a global audience.

Other Notable Translations

Modern Translations and Interpretations

In addition to FitzGerald’s translation, numerous other translations and interpretations of the Rubaiyat have been published. These translations offer different perspectives on Khayyam’s poetry, reflecting a range of linguistic and cultural approaches.

Contemporary translators have sought to provide more accurate and faithful renditions of the original Persian text, addressing some of the criticisms of FitzGerald’s version. These translations often aim to balance fidelity to the source material with accessibility for modern readers.

Influence of FitzGerald on Subsequent Translators

FitzGerald’s translation has had a lasting influence on subsequent translators of the Rubaiyat. Many later translations have been inspired by FitzGerald’s poetic style and thematic focus, even as they attempt to provide a more direct translation of the Persian text.

FitzGerald’s work set a high standard for translating Persian poetry into English, and his influence is evident in the approaches of many later translators. His ability to capture the essence of Khayyam’s poetry while maintaining a lyrical quality has been a model for subsequent efforts.

Conclusion

Edward FitzGerald’s translation of the Rubaiyat of Omar Khayyam stands as one of the most significant and influential works in the history of literary translation. His interpretative approach and poetic style brought Khayyam’s quatrains to a global audience, introducing Western readers to the rich tradition of Persian literature. While FitzGerald’s translation has faced criticisms for its deviations from the original text, its impact on Western literature, culture, and art is undeniable.

FitzGerald’s work remains a testament to the power of literary translation in bridging cultural and linguistic gaps. His translation of the Rubaiyat continues to be celebrated for its beauty and enduring relevance, and it has inspired countless readers and artists around the world. As we reflect on the legacy of FitzGerald’s translation, we recognize its role in shaping our understanding of Persian poetry and its place in the broader context of global literary heritage.

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