In her latest collection, A Tale of Being, of Green and Ing, Yewande Adebowale presents a thematic array of 63 poems, written in tercets. This book takes readers on a reflective journey through memory, the present, and even the distant future. Adebowale’s work delves into concepts such as life, existence, birth, death, war, faith, nature, and revolution, while also exploring the themes of body, soul, and spirit, especially in the collection’s first section.
The poet‘s prose-filled verses in poems like “Dance with Me,” “To Hold and To Own,” and “Memoir of a Beating Heart” depict a fictional character seeking genuine companionship through highs and lows. Adebowale’s rhythmic and lyrical approach vividly illustrates the challenges faced in relationships and emphasizes patience as a vital component of enduring love. Despite the poet’s celebration of love, “Nine Yards” stands out with its poignant portrayal of a soul betrayed by love, highlighting how love can also lead to deep emotional pain.
In “Of Time, Of Age and Other Fleeting Things,” Adebowale reflects on aging and the passage of time. She writes about envisioning a future where beauty fades and youth is a distant memory. This poem resonates personally with readers approaching mid-life, reminding them of the inevitability of aging and the swift passage of time. The poem’s message aligns with the idea that time is fleeting and aging is unavoidable.
The section titled “Of Green” features 21 poems addressing themes of rationality, national hope, revolution, protest, political consciousness, and more. These poems address the harsh realities in Nigeria and Africa, evoking strong emotions and reflections on current socio-political issues. Poems such as “Bleeding Green” and “Green R(evolution)” echo the recent #EndSARS protests and similar movements across Africa, capturing the frustrations of youth facing joblessness, poverty, and an indifferent political elite. “Numb – Nimby” poignantly recalls the Chibok Girls’ tragedy, reflecting the widespread despair and injustices affecting many African nations.
The final section of the book explores procreation, spirituality, and environmental concerns, while offering a hopeful message for humanity’s future. Adebowale’s collection is notable for its effective use of language, themes, and lyrical style, providing a rewarding reading experience.
Overall, Adebowale’s poems offer a compelling mix of flowing prose and diverse themes. While the collection excels in its literary style and thematic depth, a few readers might have hoped for more on issues like feminism and gender equality, topics briefly touched upon in the poem “Sisterhood” but not fully explored. Despite this, Adebowale has crafted a remarkable collection that resonates with readers through its relatable and thoughtful lyrical expression.