Isabella G. Mead’s poetry collection, The Infant Vine, delves into the intense emotions of motherhood. Mead’s vivid language captures the raw experiences of being a mother, turning moments of joy, fear, and protectiveness into striking metaphors. In her poems, a mother transforms into a sea dragon, an alligator, or even the moon crashing into Earth. These fantastical elements reflect the deep emotions and realities of motherhood.
The collection also draws inspiration from art, featuring references to artists like Barbara Hepworth, Madeline Donahue, and Jule Polkinghorne. Mead integrates these artistic influences into her work, with poems often presented alongside visual artworks.
The Infant Vine examines the boundary between human and animal, staying grounded in nature and the natural world. For example, in “The Mask,” Mead writes, “Breathe in the cloth / dyed a floral print. Taste its weave: Pink peonies where a mouth would be…”
The collection also addresses the isolation experienced during newborn motherhood. Mead confronts the pandemic’s impact with honesty, providing a stark contrast to the world’s desire to move past it.
While the poem formatting in The Infant Vine varies and can be intimidating, it is a deliberate stylistic choice. Despite this, the poetry remains accessible and impactful.
Overall, The Infant Vine is a compelling debut collection, deserving of the acclaim it has received.